Cover for the essay What Is a Detail: a rag-paper plate with a crimson italic title, a two-armed axis mark labelled distinguishability and ordering, and a faint oversized numeral two at the right edge.

What Is a Detail

A detail is a small part of a bigger thing, and small parts matter less — except that the proverb says they matter most. Derived from the compass at the base of the foundation, the word turns out to be reporting on an axis that has no size in it, which is why the two proverbs were not rivals, why “how much detail is enough” has no answer in the form it is asked, and why looking harder will not supply one. … readWhat Is a Detail

Pale enamel-grey cover with a thin plum rule, the words What Is a Chore set in serif with Chore in plum italic, three lines of subtitle, and a large faint numeral zero at the lower right.

What Is a Chore

A chore is supposed to be a kind of task. But the same act is a chore for one person and craft for another, and the act does not change between them. Derived from exemplarity, a chore is an artifact made with the reading against its exemplar declined — which makes a chore list a document about the person rather than about the work. … readWhat Is a Chore

Warm ash and brass title card reading What Is a Compromise, with the ratio 3:2 ghosted at the lower right and a line noting the 23.46-cent gap twelve pure fifths leave against seven octaves.

What Is a Compromise

A compromise is pictured as a point on a line between two positions, reached by each side giving up a proportion of what it wanted. The foundation I work from says there is no such line: two conditions are two complete forms, not two ends of one scale. A settlement is one mark serving one of them, and the shortfall against the other is placed somewhere rather than paid off. … readWhat Is a Compromise